by Ryland Walker Knight
— in the middle of the bed
- Déjà Vu [Tony Scott, 2006] # This time, I kept thinking about how lazy my initial reaction was, back in Seattle, in 2006, when I thought the film not only crass but offensive. Shows how easy it is to not pay attention to stuff outside story. Shows how much I grew going back to school. Because there are some truly beautiful moments/visions in this film. My favorites are confined to that little room, for the most part, with all the overlays and interactions across that surveillance window screen, but the semi careening at the camera is great and who can forget: yet another Tony Scott movie ending on a freeze frame.
- Close Encounters of the Third Kind [Steven Spielberg, 1977] # One of the odder Hollywood hits, for sure, that's pretty much all exposition and build up for its entirety. Dreyfus going nuts throwing the yard into the kitchen sink is the only concrete action/scene not spent dancing about, waiting for a concept to emerge. If anything, it's one of the better (more beautiful-looking) arguments about the allure of the concept. There's also a lot of goofball jokes that Steve is always trying really hard to get away with, and always only hitting about half the mark.
- square shot [Daniel Kasman, 2010] Very conceptual, but also very cool. You can watch it below, if you haven't already (or if you have), and you can read more contextualizing from Danny in the Notebook. I think it's pretty unique but Kevin had a few nice compliments about influences in the comments that are quite clearly a part of the make-up. In any event, as I dropped in there, can't wait for more DKaz words put into images in 20!!.
- Father of My Children [Mia Hansen-Løve, 2009] # One of the more wonderful films from last year, full of life amidst all those goodbyes. A great way to say goodbye, in fact, to a lot of things. And hello to others.
— expect more like this (and like this)